Actualizado en  abril de 2024   

Volume 6 / Issue 2
[gris]April 2011[/gris]
Nachträglich of (bio)ethics
[gris]ISSN 1553-5053[/gris]


The works of Louise Bourgeois originate in her creation of an amorous substitution, prompted by the betrayal of the love she felt for her father. In this paper we propose to show how the artist, through her sculptures, provides herself with a father figure based on of her need for one, but also her own, needs. Thus, with her work, her symptom, she finds replacement, and in so doing she finds how to knot that which was not well knotted to the name father. And her endeavor was successful, for she made a name (nom) for herself, not a man (homme) as her father would have wanted: Louise Bourgeois

Become a sculptor, build a father. Considerations on the work of Louise Bourgeois

Copyright/Permisos: Los/as autores/as conservan los derechos de autor © y permiten la publicación a Aesthethika, bajo licencia CC BY-SA / Reconocimiento - Reconocimiento-CompartirIgual 4.0 Internacional. La adopción de esta licencia permite copiar, redistribuir, comunicar públicamente la obra, reconociendo los créditos de la misma, y construir sobre el material publicado, debiendo otorgar el crédito apropiado a través de un enlace a la licencia e indicando si se realizaron cambios.

Nachträglich of (bio)ethics
[Descargar PDF]
Ethics and Films: Identification and Moral Education

The bioethics thinking of Fritz Jahr 1927-1934

Ethics and responsability: Ancient Greek lessons for bioethics today


Become a sculptor, build a father. Considerations on the work of Louise Bourgeois

Indice analítico de filmes: una ilustración metodológica en torno a "Rope" ("Festín Diabólico")


aesthethika // Revista internacional de estudio e investigación interdisciplinaria sobre subjetividad, política y arte