ISSN 1553-5053Sitio actualizado en   abril de 2026 Visitas:


About us ...

Mission Statement

aesthethika© as a concept was first created by a team of scholars, graduate students and researchers coming from diverse fields of studies both from Argentina and from the US. We have been for many years doing interdisciplinary and international research in areas such as communication, political theory, psychoanalysis, film theory, ethics, performance, human rights and cultural studies.

In aesthethika© we want to put together different traditions of thought that have in common a critical perspective on culture and subjectivity. We understand that the individual subject and the cultural realm can never be disassociated from the social and the political arenas. Hence, our concern is to explore those conjunctures, edges and areas where these problematics stand out.

aesthethika© is an independent, critical and investigative journal, more interested in inquiring than in reifying common judgments. Hence, it becomes a particular place from where to ask questions about disciplines, knowledges and practices that have effects on the psychical and the cultural bodies.

aesthethika© offers an educational and professional scenario to encourage stimulating, interdisciplinary research and theory. We focus on qualitative approaches to culture analysis, subjectivity analyses, and aesthetics. Its emphasis on qualitative, interpretive, and critical/cultural work and its collaborative, international review endeavor characterizes Aesthethika’s perspective as unique among contemporary journals.

Since 2010 aesthethika© is a Journal of the Departament of Ethics, Politics and Technology, Research Institute, School of Psychology, University of Buenos Aires




Copyright/Permisos: Los/as autores/as conservan los derechos de autor © y permiten la publicación a Aesthethika, bajo licencia CC BY-SA / Reconocimiento - Reconocimiento-CompartirIgual 4.0 Internacional. La adopción de esta licencia permite copiar, redistribuir, comunicar públicamente la obra, reconociendo los créditos de la misma, y construir sobre el material publicado, debiendo otorgar el crédito apropiado a través de un enlace a la licencia e indicando si se realizaron cambios.


Número Actual
Volumen 22 | Número 1
Editorial
El arte ante lo siniestro
Juan Jorge Michel Fariña 

La Jetée | 12 Monos
La mirada que se mira a sí misma
Eduardo Laso 

Mad Men: una reflexión ética sobre el consumo desde la perspectiva del fantasma
Juan Pablo Duarte 

Antigone: una lectura ético-musical
Jan Helge Solbakk 
Juan Jorge Michel Fariña 

¿PORNO-ÉTICA? Coordinación de intimidad sexual y otras intervenciones ético-psicológicas en la erótica contemporánea
Aldana Argüello Valenzuela 

Hamnet
El espejo y sus destinos: entre la aniquilación y el amparo
Santiago Dechecco 

Reseña
ASTOR ¿Qué es un artista?
Dora Serué 

Reseña de libro
Vueltas negras, pájaros de piedra, de Cecilia Illia
Costa, Esteban  

Reseña
Pornoparto, de María Pichot. Estética de lo disruptivo en la violencia obstétrica
Tamara García Karo 

Reseña de libro
22 celdas en Nuremberg, de Douglas Kelley
Celina Rugilo 
Martín G. Souza 

Reseña
"El infame Ramírez Hoffman", de Roberto Bolaño por John Malkovich
Alejandra Tomas Maier 

   

aesthethika // Revista internacional de estudio e investigación interdisciplinaria sobre subjetividad, política y arte

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