Summary:

This article proposes to give an account of the path traveled through the participation in the doctoral workshop “Rythmes et résonances: entrer en contact avec l’altérité” ("Rhythms and resonances: entering into contact with otherness") organized by the Centre D ́Études Du Vivant of the Université Paris Cité. An inquiry into this experience is carried out through the category of "resonance" (Rosa, 2019), which, in the first place, we proceed both to conceptually delimit and to analyze the musical metaphor that it has. Next, a reflection is established on the ethical dimension of the resonance based on the proposal of Fernand Deligny, to finally return to the instance of the doctoral workshop in order to analyze the lived experiences in articulation with the previously situated theoretical-conceptual categories.

Key words: resonance | Rosa | ethics | Deligny