[marron]Summary[/marron]

The work of the Swiss artist Isabelle Pilloud is the focus of this article. Her installation "Heroines", his portraits of extreme bodies and their tribute to E.L.Kirchner, interrogate the established forms, opening from art, inescapable questions about human subjectivity. Three perspectives are introduced: (a) considerations about his work have provided by critics, (b) a testimony of their performance in the former ESMA and in the University of Buenos Aires, (c) the contribution, from art, on the contemporary debate on sexuation formula.

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